{"id":1572,"date":"2020-03-10T00:39:54","date_gmt":"2020-03-10T03:39:54","guid":{"rendered":"http:\/\/www.contramar.org\/?p=1572"},"modified":"2020-06-03T18:26:09","modified_gmt":"2020-06-03T21:26:09","slug":"libres-o-encarcelados-en-el-sueno","status":"publish","type":"post","link":"https:\/\/www.contramar.org\/index.php\/2020\/03\/10\/libres-o-encarcelados-en-el-sueno\/","title":{"rendered":"\u00bfLibres o encarcelados en el sue\u00f1o?"},"content":{"rendered":"\t\t
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Por Enrique Butti – Nov 3, 2019 – Revista Nosotros<\/p>

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Algunas teor\u00edas y algunos esquemas hist\u00f3ricos sobre el g\u00e9nero cuento se convirtieron en las \u00faltimas d\u00e9cadas en imposiciones r\u00edgidas y por lo tanto, trat\u00e1ndose de arte, a la larga o a la corta, err\u00f3neas. Teor\u00edas y lugares comunes como la teor\u00eda del iceberg, de Hemingway (todo cuento deber\u00eda esconder, como un t\u00e9mpano, 7\/8 partes de su verdadero cuerpo) o como la tesis de las dos historias que encerrar\u00eda todo cuento, seg\u00fan Piglia. O acerca de la definitiva victoria que en la contienda entre Maupassant y Ch\u00e9jov, \u00e9ste (Carver mediante) ha ganado, y por knockout, al menos para las dos \u00faltimas generaciones de escritores, al menos para la mayor\u00eda de los nuevos escritores argentinos. El malentendido m\u00e1s visible en estos mandatos estriba en suponer que el puro devenir, lo cotidiano (asociado a menudo con lo anodino), lo sobreentendido y los comienzos in medias res y los finales por cualquier lado garanticen una mayor m\u00edmesis y registro testimonial del presente. De all\u00ed resultaron toneladas de juvenilias con sus inevitables aderezos de sexito, birra, porrito, transa, piquetes\u2026 Es decir, toneladas del m\u00e1s l\u00edvido y pat\u00e9tico costumbrismo.<\/p>

A prop\u00f3sito, \u201cLa rutina de la m\u00e1quinas\u201d (Contramar Editora), el primer libro de cuentos de Diego Oddo (Santa Fe, 1983) resulta interesante por dos motivos: primero, porque los dos textos que abren el volumen vacilan entre esas peligrosas imposiciones a las que nos refer\u00edamos, y segundo, porque en los otros cinco cuentos, escapando progresivamente de ellas, el autor accede a composiciones s\u00f3lidas y, por lo menos en dos, logra creaciones realmente notables.<\/p>

En \u201cUn planeta nuevo\u201d, un narrador en primera persona cuenta que vive en el d\u00e9cimo piso de un edificio del Bulevar, rodeado de construcciones bajas. Cuenta que pasa mucho tiempo aislado porque su pareja ha decidido compartir con \u00e9l solo las horas diurnas mientras le dure el sonambulismo. A los catorce a\u00f1os, recuerda el narrador, hab\u00eda vivido episodios de ese fen\u00f3meno y una m\u00e9dica rest\u00f3 importancia al hecho y le vaticin\u00f3 que todo terminar\u00eda con el primer noviazgo, cosa que result\u00f3 acertada. Pero ahora ha vuelto a las andadas nocturnas y a Julieta la asusta despertarse en medio de la noche y encontr\u00e1rselo ah\u00ed sentado en la cama, mir\u00e1ndola con una cara que \u201cno es la misma\u201d, o arrastrando los pies por el departamento, gritando y golpeando la mesa.<\/p>

Y un d\u00eda Julieta llega con la idea de instalar una c\u00e1mara que registre lo que sucede de noche y as\u00ed el narrador pueda verse a s\u00ed mismo en acci\u00f3n.<\/p>

En las primeras filmaciones no hay movimientos y apenas sirven para que el narrador descubra sobre un aparador los l\u00e1pices que se hab\u00eda tra\u00eddo con la intenci\u00f3n de volver a dibujar. Vuelve, en efecto, a dibujar, y los primeros registros del son\u00e1mbulo lo mostrar\u00e1n tambi\u00e9n sent\u00e1ndose a la mesa para dibujar. Sobre esta base Oddo despliega una narraci\u00f3n intensa e inquietante (y aunque, por ejemplo, no se vuelva a mencionar el vac\u00edo que espera al son\u00e1mbulo en el balc\u00f3n, el dato s\u00ed queda latiendo en el tel\u00f3n de fondo para quien est\u00e1 leyendo el cuento).<\/p>

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El otro cuento memorable del conjunto es el que da t\u00edtulo al libro. En \u201cLa rutina de las m\u00e1quinas\u201d el autor practica otro tono y desarrollo, otro mundo narrativo, como conviene a todo buen libro de cuentos (la intimaci\u00f3n a una unidad f\u00e9rrea en los libros de cuentos es un prejuicio actual, un rigor mortis avalado por la academia sin ning\u00fan fundamento.<\/p>

El estilo de un buen escritor no es una laboriosa conquista sino una fatalidad. De Boccaccio y \u201cLas 1001 noches\u201d a Rulfo y Singer, los conjuntos de cuentos aprovechan el final de un cuento tr\u00e1gico o cruento para en la p\u00e1gina siguiente sumergirnos en un cuento fr\u00edvolo o c\u00f3mico; en Borges, el final de un cuento realista con compadritos est\u00e1 pegado a un cuento metaliterario o a uno metaf\u00edsico). Con frases cortas y contundentes, en \u201cLa rutina de las m\u00e1quinas\u201d se nos cuenta sobre el due\u00f1o de una lavander\u00eda que desde la reclusi\u00f3n en su hogar-negocio descifra la vida de los vecinos clientes a trav\u00e9s de la ropa que le llevan a lavar. Hay varias historias apasionantes y varios personajes extraordinarios que seguimos a trav\u00e9s de la perspectiva de este hombre que en alg\u00fan momento dudar\u00e1 entre estar viviendo en una celda de la cual solo \u00e9l tiene la llave o, al contrario, que sean los otros quienes est\u00e1n encerrados afuera y su lavander\u00eda sea el espacio de libertad que se ha ganado para s\u00ed mismo. En este cuento, que completa la historia del personaje de un relato anterior, lo cotidiano, lo mec\u00e1nico, lo repetitivo va insinuando chirridos en los engranajes, chispas, cortocircuitos que Oddo sabe conducir con pericia a la explosi\u00f3n final, contrariando la prohibici\u00f3n de estridencias argumentales y verbales que ordena esa autopista que desconoce la selva, y en la selva las sendas que a machetazos fueron abriendo de Faulkner a Felisberto Hern\u00e1ndez, de Katherine Anne Porter a Silvina Ocampo.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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M\u00fasicas para maridar letras<\/strong><\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ARTISTA: BABASONICOS. TEMA: RISA. EXTRAIDO DEL ALBUM “INFAME” EDITADO POR POP ART DISCOS EN 2003 <\/span>http:\/\/babasonicos.com\/<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Por Enrique Butti – Nov 3, 2019 – Revista Nosotros Algunas teor\u00edas y algunos esquemas hist\u00f3ricos sobre el g\u00e9nero cuento se convirtieron en las \u00faltimas d\u00e9cadas en imposiciones r\u00edgidas y por lo tanto, trat\u00e1ndose de arte, a la larga o a la corta, err\u00f3neas. Teor\u00edas y lugares comunes como la teor\u00eda del iceberg, de Hemingway […]<\/p>\n","protected":false},"author":1,"featured_media":1576,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","_joinchat":[],"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[41],"tags":[],"class_list":["post-1572","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vapores","entry","has-media","owp-thumbs-layout-horizontal","owp-btn-normal","owp-tabs-layout-horizontal","has-no-thumbnails"],"yoast_head":"\n\u00bfLibres o encarcelados en el sue\u00f1o? |<\/title>\n<meta name=\"description\" content=\"Por Enrique Butti - 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